By clicking on the link of each concert, you can view the concert program
9 February 2018
Friday, 9 February
08:30-Registration
09:30-10:00 |
WELCOME GREETINGS
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All A Sessions in
Conference Room - UoM |
All B Sessions in
Τele-conference
Room - UoM |
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Session 1A Free papers |
Session 1B Early 19th c. Music |
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Chair: Georgios Papadelis |
Chair: Vouvaris Petros |
10:00-10:30 |
Dimitra Trouka "The Effect of Music Training
on the Auditory and Music Perception of Children with Cochlear Implants" |
MgA. Alena Honigova ¡¢Johann Joseph
Rosler and his Recently Discovered Piano Concerto¢¢ |
10:30-11:00 |
Adebowale Ogunrinade ¡¢Incorporating Popular Music of Nigerian
into Music Curriculum: A Potential for National Development¢¢ |
Xin
Yi Joyce Lee ¡¢Early Schubert:
An Examination of the Piano Sonatas between 1815-1818¢¢ |
11:00-11:30 |
COFFEE BREAK |
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Session 2A Songs and Music
for Choir: Past Influences
and New Actions |
Session 2B Composer and
Performer Relation: Music Score, Performance, Co-creativity |
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Chair: Anna-Maria Rentzeperi |
Chair: Papageorgiou
Dimitrios |
11:30-12:00 |
Dominika Micał ¡¢Contemporary Musical
Works inspired by the Renaissance Madrigal - Methodological Approach¢¢ |
Caitlin Mockridge ¡¢The
Historical-Innovation Paradigm: A Case Study of Creative Practice and its
Modes of Dissemination in the Sounding Works of Hugh Davies¢¢ |
12:00-12:30 |
Chihiro Homma ¡¢Respect to Political
Authorities by Chansons: A Case of the Caveau moderne in the 1810s¢¢ |
Vassilis Chatzimakris ¡¢INTERFACIAL SCORES: An Exploration of
Approaches to Indeterminacy of Performing Means¢¢ |
12:30-13:00 |
Alberto Caparrós
Álvarez ¡¢A musical ambassador: the
Catholic Choir of Mallorca in the United States in 1950-51¢¢ |
Christos Chalnaridis ¡¢Frameworks of Co-creativity¢¢ |
13:00-16:00 |
LUNCH BREAK |
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All A Sessions in Conference Room - UoM |
All B Sessions in
Τele-conference
Room - UoM |
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Session 3A Music in Greece
(I): Wind Ensemble
Music in Thessaloniki |
Session 3B Tonal Music: Tonal Theory,
Bach and Mozart's Influence in 20th c. |
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Chair: Hassiotis Kostis |
Chair: Vouvaris Petros |
16:00-16:30 |
Christos Pouris "A home too far": The
Pantomime Output at the Salonika Front during the First World War¢¢ |
Ram
Reuven ¡¢Aspects of the Definability of the Sequence
Phenomenon in Tonal Music¢¢ |
16:30-17:00 |
Spyros Rouvas "A Survey on the Life of the
Composer Dionyssios Visvardis in Thessaloniki and his Involvement in Military
and other Wind Music Ensembles¢¢ |
Kayo Murata ¡¢J.
S. Bach and Triple Counterpoint: His Development of Compositional Technique
from the Perspective of Inversion¢¢ |
17:00-17:30 |
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Sonja
Koković ¡¢The Comparison between Mozart¢s Classical and
Poulenc¢s Neoclassical Sense of a Musical Style: an Experimental Study on
Aesthetic Manners of their Piano Concertos¢¢ |
17:30-18:00 |
COFFEE BREAK |
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Session 4A Music in Greece
(II): Wind Instruments
- Wind Ensembles and Bands |
Session 4B Music in Greece
(IV): Greek Composers
and Piano Performance, Sonata Form, Pedagogical Aesthetics |
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Chair: Evanthia Nika-Sampson |
Chair: Tsougras Kostas |
18:00-18:30 |
Anna Chatziathanasiou ¡¢Some Considerations on the Repertory of the
Athens Military Bands during 1874 and 1877¢¢ |
Annini Tsiouti ¡¢The 32 Pieces for Piano by Nikos Skalkottas: A Cycle or Collection of Pieces?¢¢ |
18:30-19:00 |
Theofilos
Sotiriades ¡¢Looking
for Saxophone Traces in Greece¢¢ |
Vasiliki
Zlatkou ¡¢Sonata Form Aspects in
Musical Works by Greek composers of the First Half of Twentieth Century:
Tonal Resolution or Structural Completion as the Ultimate Purpose of the
Recapitulation¢¢ |
19:00-19:30 |
Theodora Iordanidou Greek 19th-century Flautists
of the San Giacomo Theater through the "Pierris Libreti" |
Despina
Afthentopoulou ¡¢Manolis
Kalomiris: Ideology and Aesthetics in his Music Pedagogical Works¢¢ |
20:00-21:00 |
CONCERT: PNOES |
10 February 2018
Saturday, 10 February
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All A Sessions in Conference
Room - UoM |
All B Sessions in Τele-conference Room - UoM |
Session 5A Byzantine Music
(I): Chrysaphes,
Chourmouzios and Glykys |
Session 5B Music in Turkey: Music and
Religion, Music Theory and Kanun |
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Chair: Paris
Kyriakos-Nektarios |
Chair: Kitsios Georgios |
10:00-10:30 |
Dimos Papatzalakis ¡¢The Precentor of the Great Church Panagiotes
Chrysaphes the Younger: Musicological Approaches to his Work¢¢ |
Mustafa Kemal OZKUL ¡¢Changing
Religion, Changing Musics: On the Musics of Chepni People¢¢ |
10:30-11:00 |
Athanasios Delios ¡¢The Melodic Formula of Parakletike
in the Kalophonic Style of Melopoeia and its Exegesis/Transcription in
Chourmouzios¢ Mathematarion¢¢ |
Ferhat Cayli, Cenk Guray ¡¢Alphabetical
Music-Notations in the History of Ottoman/ Turkish Music Theory¢¢ |
11:00-11:30 |
Apostolia Gorgolitsa ¡¢John Glykys and the
Composition of the First Heothinon: Comparative Palaeographical Study¢¢ |
Anastassia Zachariadou ¡¢The Evolution of Kanun
Playing through the Analysis of Nikos Stefanidis¢ Recordings¢¢ |
11:30-12:00 |
COFFEE BREAK |
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Session 6A Music Avant-Garde |
Session 6B Music Creativity
and Music Education |
Chair: Lapidakis Michalis |
Chair: Lapidaki Eleni |
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12:00-12:30 |
Martin
Link ¡¢Interdisciplinary Research as a Contemporary Model
of Musicology¡¢ |
Ioanna Pavlidou ¡¢Music Creativity as an Embodied Experience: Contemporary Theoretical
and Music Educational Approaches¢¢ |
12:30-13:00 |
Petra Zidarić Gyorek ¡¢Middle
East and West
- Transformational Process in a Selected Composition by Klaus
Huber¢¢ |
Dimitris Tasoudis ¡¢Settling the Score(-s) for Richter¢s Rhythmus 21 (1921)¢¢ |
13:00-13:30 |
Hristina Susak ¡¢Bewildering Suggestions:
Multiple Ways to analyse Edgar Varese¢s Ionisation¢¢ |
Panagio Karamouzi ¡¢Percussion Playing as an Interpretation of Human Behavior¢¢ |
13:30-14:00 |
Mihali Paleologou A Look into the Importance of Extended Instrumental
Techniques in the Contemporary Composition through Alternative Analysis of H.
Lachenmann¢s String Quartet ¡Gran Torso¢ |
Jana Vaculikova ¡¢New Approaches to Music Theory and the Art of Teaching Musical
Instrument¢¢ |
14:00-16:00 |
LUNCH BREAK |
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All A Sessions in Conference Room - UoM |
All B Sessions in
Τele-conference
Room - UoM |
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7A Session 19th c. Opera |
Session 7B Byzantine Music
(II): Theoretical,
Practical, Pedagogical and Interdisciplinary Approaches |
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Chair: Evanthia Nika-Sampson |
Chair: Alexandrou Maria |
16:00-16:30 |
Demetra Hondrou ¡¢Giacomo Meyerbeer
(1791-1864): Vasco de Gama: The Attempt of Rapprochement of the Opera L¢
Africaine¢¢ |
Symeon Kanakis ¡¢Theoretical and Practical Approaches to the Byzantine System of the
Eight Modes (Oktoechos) according to the Old Method, as a tool in
Contemporary Music Analysis and Teaching¢¢ |
16:30-17:00 |
Dimitra Banteka ¡¢Past Musics, Present Actions. A case in
Istanbul: The Urban Song and the Operetta of Greek Composers, During the Time
Period 1860-1900¢¢ |
Giangkitseri Maria ¡¢Pedagogical Views and Approaches of Medieval Church Music¢¢ |
17:00-17:30 |
Angeliki Skandali ¡¢The Ricci¢s Italian Opera
Company in the Sources - A Collection of References" |
Dimosthenis Spanoudakis ¡¢Byzantine Music on the Same
Text, with Different Melodies in Eight Modes and Various Musical Textures:
some Interdisciplinary Approaches¢¢ |
17:30-18:00 |
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Giuseppe Sanfratello ¡¢Chants of the Byzantine
Rite in the Sicilian-Albanian Tradition¢¢ |
18:00-18:30 |
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Baia Zhuzhunadze ¡¢Georgian Chant Tradition in the Context of
Cultural Interactions (19th-20th centuries)¢¢ |
18:30-19:00 |
COFFEE BREAK |
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20:00-21:00 |
CONCERT: SYNERGIES |
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DINNER |
11 February 2018
Sunday, 11 February
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All A Sessions in Conference Room - UoM |
All B Sessions in
Τele-conference
Room - UoM |
Session 8A Ethnomusicology: Interdisciplinary
Approaches |
Session 8B 20th c. Opera and
Reception of 20th c. music |
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Chair: Kitsios Georgios |
Chair: Danae Stefanou |
11:00-11:30 |
Andreja Vrekalić "On the
Boundaries of my Science": Medical Ethnomusicology in Croatia |
Predrag I.
Kovačević ¡¢Commedia
Dell¢ Arte in Action: Elements of Theatrical Genre in the Opera
"Arlecchino" by Ferruccio Busoni¢¢ |
11:30-12:00 |
Sara
Ries ¡¢The
Second and the Third Book of Correspondence by the First Croatian
Musicologist Franjo Ksaver Kuhač (1834-1911)¢¢ |
Anna Gluc ¡¢Negative
and Grotesque as a Media of Totalitarian Criticism: Alfred Schnittke¢s Life with an Idiot and Historia von D. Johann Fausten¢¢ |
12:00-12:30 |
Panagiota Papageorgiou ¡¢World Musics Becoming Meaningful
Experiences for Young Students¢¢ |
Rhodell
T. Fields "Why I Don¢t Like That
Music? ": Brain functions that keep us chained to
music we "know" |
12:30-13:00 |
COFFEE BREAK |
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Session 9A Music in Greece (III): old and new
trends |
Session 9B Computational
Musicology, Music Analysis and Performance |
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Chair: Danae Stefanou |
Chair: Cambouropoulos
Emilios - Vasileios |
13:00-13:30 |
Chryssie
Scarlatos ¡¢Room for Music: Issues of
Space and Venues in Thessaloniki¢¢ |
Andreas Katsiavalos ¡¢Computational Modeling of
Musical Schemata: Informatics and Prototype Evaluations¢¢ |
13:30-14:00 |
Panayiotis Ladas ¡¢Greek Underground Music: Historical, Social and
Artistic Factors Underlying the Greek Independent Musical Trends
(2000-today)¢¢ |
Dimitris Kinopoulos, Solon
Raptakis ¡¢Pianistic Interpretation
in Classical Period Slow Movements: the Case of Beethoven¢s op. 7/ ii¢¢ |
14:00-14:30 |
Alexandra
Karamoutsiou "At the mercy of
modernization...": Histories of DIY Music-making Scene in Thessaloniki, the
Case of "NAYTIA" Band |
Paulina
Pieńkowska ¡¢#Chopinbezgranic
[ChopinwithoutBorders] - in other words, How New Media Influence Reception of
the Chopin Competition¢¢ |
14:30 - 15:00 |
EPILOGUE - FINAL
DISCUSSIONS |
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15:00-16:30 |
LUNCH BREAK |
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16:30 - 17:30 |
CONCERT: ILIODROMIO |