International Graduate Student Conference 2018

Conference Program

By clicking on the link of each concert, you can view the concert program

9 February 2018

Friday, 9 February

08:30-Registration

09:30-10:00	WELCOME GREETINGS
	All A Sessions in Conference Room - UoM	All B Sessions in Τele-conference Room - UoM
	Session 1A Free papers	Session 1B Early 19^th c. Music
	Chair: Georgios Papadelis	Chair: Vouvaris Petros
10:00-10:30	Dimitra Trouka "The Effect of Music Training on the Auditory and Music Perception of Children with Cochlear Implants"	MgA. Alena Honigova ‘’Johann Joseph Rosler and his Recently Discovered Piano Concerto’’
10:30-11:00	Adebowale Ogunrinade ‘’Incorporating Popular Music of Nigerian into Music Curriculum: A Potential for National Development’’	Xin Yi Joyce Lee ‘’Early Schubert: An Examination of the Piano Sonatas between 1815-1818’’
11:00-11:30	COFFEE BREAK
	Session 2A Songs and Music for Choir: Past Influences and New Actions	Session 2B Composer and Performer Relation: Music Score, Performance, Co-creativity
	Chair: Anna-Maria Rentzeperi	Chair: Papageorgiou Dimitrios
11:30-12:00	Dominika Micał ‘’Contemporary Musical Works inspired by the Renaissance Madrigal - Methodological Approach’’	Caitlin Mockridge ‘’The Historical-Innovation Paradigm: A Case Study of Creative Practice and its Modes of Dissemination in the Sounding Works of Hugh Davies’’
12:00-12:30	Chihiro Homma ‘’Respect to Political Authorities by Chansons: A Case of the Caveau moderne in the 1810s’’	Vassilis Chatzimakris ‘’INTERFACIAL SCORES: An Exploration of Approaches to Indeterminacy of Performing Means’’
12:30-13:00	Alberto Caparrós Álvarez ‘’A musical ambassador: the Catholic Choir of Mallorca in the United States in 1950-51’’	Christos Chalnaridis ‘’Frameworks of Co-creativity’’
13:00-16:00	LUNCH BREAK
	All A Sessions in Conference Room - UoM	All B Sessions in Τele-conference Room - UoM
	Session 3A Music in Greece (I): Wind Ensemble Music in Thessaloniki	Session 3B Tonal Music: Tonal Theory, Bach and Mozart's Influence in 20^th c.
	Chair: Hassiotis Kostis	Chair: Vouvaris Petros
16:00-16:30	Christos Pouris "A home too far": The Pantomime Output at the Salonika Front during the First World War’’	Ram Reuven ‘’Aspects of the Definability of the Sequence Phenomenon in Tonal Music’’
16:30-17:00	Spyros Rouvas "A Survey on the Life of the Composer Dionyssios Visvardis in Thessaloniki and his Involvement in Military and other Wind Music Ensembles’’	Kayo Murata ‘’J. S. Bach and Triple Counterpoint: His Development of Compositional Technique from the Perspective of Inversion’’
17:00-17:30		Sonja Koković ‘’The Comparison between Mozart’s Classical and Poulenc’s Neoclassical Sense of a Musical Style: an Experimental Study on Aesthetic Manners of their Piano Concertos’’
17:30-18:00	COFFEE BREAK
	Session 4A Music in Greece (II): Wind Instruments - Wind Ensembles and Bands	Session 4B Music in Greece (IV): Greek Composers and Piano Performance, Sonata Form, Pedagogical Aesthetics
	Chair: Evanthia Nika-Sampson	Chair: Tsougras Kostas
18:00-18:30	Anna Chatziathanasiou ‘’Some Considerations on the Repertory of the Athens Military Bands during 1874 and 1877’’	Annini Tsiouti ‘’The 32 Pieces for Piano by Nikos Skalkottas: A Cycle or Collection of Pieces?’’
18:30-19:00	Theofilos Sotiriades ‘’Looking for Saxophone Traces in Greece’’	Vasiliki Zlatkou ‘’Sonata Form Aspects in Musical Works by Greek composers of the First Half of Twentieth Century: Tonal Resolution or Structural Completion as the Ultimate Purpose of the Recapitulation’’
19:00-19:30	Theodora Iordanidou Greek 19^th-century Flautists of the San Giacomo Theater through the "Pierris Libreti"	Despina Afthentopoulou ‘’Manolis Kalomiris: Ideology and Aesthetics in his Music Pedagogical Works’’
20:00-21:00	CONCERT: PNOES

10 February 2018

Saturday, 10 February

	All A Sessions in Conference Room - UoM	All B Sessions in Τele-conference Room - UoM
	Session 5A Byzantine Music (I): Chrysaphes, Chourmouzios and Glykys	Session 5B Music in Turkey: Music and Religion, Music Theory and Kanun
	Chair: Paris Kyriakos-Nektarios	Chair: Kitsios Georgios
10:00-10:30	Dimos Papatzalakis ‘’The Precentor of the Great Church Panagiotes Chrysaphes the Younger: Musicological Approaches to his Work’’	Mustafa Kemal OZKUL ‘’Changing Religion, Changing Musics: On the Musics of Chepni People’’
10:30-11:00	Athanasios Delios ‘’The Melodic Formula of Parakletike in the Kalophonic Style of Melopoeia and its Exegesis/Transcription in Chourmouzios’ Mathematarion’’	Ferhat Cayli, Cenk Guray ‘’Alphabetical Music-Notations in the History of Ottoman/ Turkish Music Theory’’
11:00-11:30	Apostolia Gorgolitsa ‘’John Glykys and the Composition of the First Heothinon: Comparative Palaeographical Study’’	Anastassia Zachariadou ‘’The Evolution of Kanun Playing through the Analysis of Nikos Stefanidis’ Recordings’’
11:30-12:00	COFFEE BREAK
	Session 6A Music Avant-Garde	Session 6B Music Creativity and Music Education
	Chair: Lapidakis Michalis	Chair: Lapidaki Eleni
12:00-12:30	Martin Link ‘’Interdisciplinary Research as a Contemporary Model of Musicology‘’	Ioanna Pavlidou ‘’Music Creativity as an Embodied Experience: Contemporary Theoretical and Music Educational Approaches’’
12:30-13:00	Petra Zidarić Gyorek ‘’Middle East and West - Transformational Process in a Selected Composition by Klaus Huber’’	Dimitris Tasoudis ‘’Settling the Score(-s) for Richter’s Rhythmus 21 (1921)’’
13:00-13:30	Hristina Susak ‘’Bewildering Suggestions: Multiple Ways to analyse Edgar Varese’s Ionisation’’	Panagio Karamouzi ‘’Percussion Playing as an Interpretation of Human Behavior’’
13:30-14:00	Mihali Paleologou A Look into the Importance of Extended Instrumental Techniques in the Contemporary Composition through Alternative Analysis of H. Lachenmann’s String Quartet ‘Gran Torso’	Jana Vaculikova ‘’New Approaches to Music Theory and the Art of Teaching Musical Instrument’’
14:00-16:00	LUNCH BREAK
	All A Sessions in Conference Room - UoM	All B Sessions in Τele-conference Room - UoM
	7A Session 19th c. Opera	Session 7B Byzantine Music (II): Theoretical, Practical, Pedagogical and Interdisciplinary Approaches
	Chair: Evanthia Nika-Sampson	Chair: Alexandrou Maria
16:00-16:30	Demetra Hondrou ‘’Giacomo Meyerbeer (1791-1864): Vasco de Gama: The Attempt of Rapprochement of the Opera L’ Africaine’’	Symeon Kanakis ‘’Theoretical and Practical Approaches to the Byzantine System of the Eight Modes (Oktoechos) according to the Old Method, as a tool in Contemporary Music Analysis and Teaching’’
16:30-17:00	Dimitra Banteka ‘’Past Musics, Present Actions. A case in Istanbul: The Urban Song and the Operetta of Greek Composers, During the Time Period 1860-1900’’	Giangkitseri Maria ‘’Pedagogical Views and Approaches of Medieval Church Music’’
17:00-17:30	Angeliki Skandali ‘’The Ricci’s Italian Opera Company in the Sources - A Collection of References"	Dimosthenis Spanoudakis ‘’Byzantine Music on the Same Text, with Different Melodies in Eight Modes and Various Musical Textures: some Interdisciplinary Approaches’’
17:30-18:00		Giuseppe Sanfratello ‘’Chants of the Byzantine Rite in the Sicilian-Albanian Tradition’’
18:00-18:30		Baia Zhuzhunadze ‘’Georgian Chant Tradition in the Context of Cultural Interactions (19^th-20^th centuries)’’
18:30-19:00	COFFEE BREAK
20:00-21:00	CONCERT: SYNERGIES
DINNER

11 February 2018

Sunday, 11 February

	All A Sessions in Conference Room - UoM	All B Sessions in Τele-conference Room - UoM
	Session 8A Ethnomusicology: Interdisciplinary Approaches	Session 8B 20th c. Opera and Reception of 20th c. music
	Chair: Kitsios Georgios	Chair: Danae Stefanou
11:00-11:30	Andreja Vrekalić "On the Boundaries of my Science": Medical Ethnomusicology in Croatia	Predrag I. Kovačević ‘’Commedia Dell’ Arte in Action: Elements of Theatrical Genre in the Opera "Arlecchino" by Ferruccio Busoni’’
11:30-12:00	Sara Ries ‘’The Second and the Third Book of Correspondence by the First Croatian Musicologist Franjo Ksaver Kuhač (1834-1911)’’	Anna Gluc ‘’Negative and Grotesque as a Media of Totalitarian Criticism: Alfred Schnittke’s Life with an Idiot and Historia von D. Johann Fausten’’
12:00-12:30	Panagiota Papageorgiou ‘’World Musics Becoming Meaningful Experiences for Young Students’’	Rhodell T. Fields "Why I Don’t Like That Music? ": Brain functions that keep us chained to music we "know"
12:30-13:00	COFFEE BREAK
	Session 9A Music in Greece (III): old and new trends	Session 9B Computational Musicology, Music Analysis and Performance
	Chair: Danae Stefanou	Chair: Cambouropoulos Emilios - Vasileios
13:00-13:30	Chryssie Scarlatos ‘’Room for Music: Issues of Space and Venues in Thessaloniki’’	Andreas Katsiavalos ‘’Computational Modeling of Musical Schemata: Informatics and Prototype Evaluations’’
13:30-14:00	Panayiotis Ladas ‘’Greek Underground Music: Historical, Social and Artistic Factors Underlying the Greek Independent Musical Trends (2000-today)’’	Dimitris Kinopoulos, Solon Raptakis ‘’Pianistic Interpretation in Classical Period Slow Movements: the Case of Beethoven’s op. 7/ ii’’
14:00-14:30	Alexandra Karamoutsiou "At the mercy of modernization...": Histories of DIY Music-making Scene in Thessaloniki, the Case of "NAYTIA" Band	*Paulina Pieńkowska* ‘’#Chopinbezgranic [ChopinwithoutBorders] - in other words, How New Media Influence Reception of the Chopin Competition’’
14:30 - 15:00	EPILOGUE - FINAL DISCUSSIONS
15:00-16:30	LUNCH BREAK
16:30 - 17:30	CONCERT: ILIODROMIO

International Graduate Student Conference 2018

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