Conference Program

By clicking on the link of each concert, you can view the concert program

9 February 2018

Friday, 9 February

08:30-Registration

09:30-10:00

WELCOME GREETINGS

All A Sessions in

Conference Room - UoM

All B Sessions in Τele-conference Room - UoM

Session 1A

Free papers

Session 1B

Early 19th c. Music

 

Chair: Georgios Papadelis

Chair: Vouvaris Petros

10:00-10:30

Dimitra Trouka

"The Effect of Music Training on the Auditory and Music Perception of Children with Cochlear Implants"

MgA. Alena Honigova

¡¢Johann Joseph Rosler and his Recently Discovered Piano Concerto¢¢

10:30-11:00

Adebowale Ogunrinade

¡¢Incorporating Popular Music of Nigerian into Music Curriculum: A Potential for National Development¢¢

Xin Yi Joyce Lee

¡¢Early Schubert: An Examination of the Piano Sonatas between 1815-1818¢¢

11:00-11:30

COFFEE BREAK

 

Session 2A

Songs and Music for Choir:

Past Influences and New Actions

 

Session 2B

Composer and Performer Relation: Music Score, Performance,

Co-creativity

 

Chair: Anna-Maria Rentzeperi

Chair: Papageorgiou Dimitrios

11:30-12:00

Dominika Micał

¡¢Contemporary Musical Works inspired by the Renaissance Madrigal - Methodological Approach¢¢

Caitlin Mockridge

¡¢The Historical-Innovation Paradigm: A Case Study of Creative Practice and its Modes of Dissemination in the Sounding Works of Hugh Davies¢¢

12:00-12:30

Chihiro Homma

¡¢Respect to Political Authorities by Chansons: A Case of the Caveau moderne in the 1810s¢¢

Vassilis Chatzimakris

¡¢INTERFACIAL SCORES: An Exploration of Approaches to Indeterminacy of Performing Means¢¢

12:30-13:00

Alberto Caparrós Álvarez

¡¢A musical ambassador: the Catholic Choir of Mallorca in the United States in 1950-51¢¢

Christos Chalnaridis

¡¢Frameworks of Co-creativity¢¢

13:00-16:00

LUNCH BREAK

 

 

All A Sessions in

Conference Room - UoM

All B Sessions in Τele-conference Room - UoM

 

Session 3A

Music in Greece (I):

Wind Ensemble Music in Thessaloniki

Session 3B

Tonal Music:

Tonal Theory, Bach and Mozart's Influence in 20th c.

 

Chair: Hassiotis Kostis

Chair: Vouvaris Petros

16:00-16:30

Christos Pouris

"A home too far": The Pantomime Output at the Salonika Front during the First World War¢¢

Ram Reuven

¡¢Aspects of the Definability of the Sequence Phenomenon in Tonal Music¢¢

16:30-17:00

Spyros Rouvas

"A Survey on the Life of the Composer Dionyssios Visvardis in Thessaloniki and his Involvement in Military and other Wind Music Ensembles¢¢

Kayo Murata

¡¢J. S. Bach and Triple Counterpoint: His Development of Compositional Technique from the Perspective of Inversion¢¢

17:00-17:30

 

Sonja Koković

¡¢The Comparison between Mozart¢s Classical and Poulenc¢s Neoclassical Sense of a Musical Style: an Experimental Study on Aesthetic Manners of their Piano Concertos¢¢

17:30-18:00

COFFEE BREAK

 

Session 4A

Music in Greece (II):

Wind Instruments - Wind Ensembles and Bands

Session 4B

Music in Greece (IV):

Greek Composers and Piano Performance, Sonata Form, Pedagogical Aesthetics

 

Chair: Evanthia Nika-Sampson

Chair: Tsougras Kostas

18:00-18:30

Anna Chatziathanasiou

¡¢Some Considerations on the Repertory of the Athens Military Bands during 1874 and 1877¢¢

Annini Tsiouti

¡¢The 32 Pieces for Piano by Nikos Skalkottas: A Cycle or Collection of Pieces?¢¢

18:30-19:00

Theofilos Sotiriades

¡¢Looking for Saxophone Traces in Greece¢¢

Vasiliki Zlatkou

¡¢Sonata Form Aspects in Musical Works by Greek composers of the First Half of Twentieth Century: Tonal Resolution or Structural Completion as the Ultimate Purpose of the Recapitulation¢¢

19:00-19:30

Theodora Iordanidou

Greek 19th-century Flautists of the San Giacomo Theater through the "Pierris Libreti"

Despina Afthentopoulou

¡¢Manolis Kalomiris: Ideology and Aesthetics in his Music Pedagogical Works¢¢

20:00-21:00

CONCERT: PNOES

 

10 February 2018

Saturday, 10 February

 

All A Sessions in

Conference Room - UoM

All B Sessions in Τele-conference Room - UoM

Session 5A

Byzantine Music (I):

Chrysaphes, Chourmouzios and Glykys

Session 5B

Music in Turkey:

Music and Religion, Music Theory and Kanun

 

Chair: Paris Kyriakos-Nektarios

Chair: Kitsios Georgios

10:00-10:30

Dimos Papatzalakis

¡¢The Precentor of the Great Church Panagiotes Chrysaphes the Younger: Musicological Approaches to his Work¢¢

Mustafa Kemal OZKUL

¡¢Changing Religion, Changing Musics: On the Musics of Chepni People¢¢

10:30-11:00

Athanasios Delios

¡¢The Melodic Formula of Parakletike in the Kalophonic Style of Melopoeia and its Exegesis/Transcription in Chourmouzios¢ Mathematarion¢¢

Ferhat Cayli, Cenk Guray

¡¢Alphabetical Music-Notations in the History of Ottoman/ Turkish Music Theory¢¢

11:00-11:30

Apostolia Gorgolitsa

¡¢John Glykys and the Composition of the First Heothinon: Comparative Palaeographical Study¢¢

 

Anastassia Zachariadou

¡¢The Evolution of Kanun Playing through the Analysis of Nikos Stefanidis¢ Recordings¢¢

11:30-12:00

COFFEE BREAK

 

Session 6A

Music Avant-Garde

Session 6B

Music Creativity and Music Education

Chair: Lapidakis Michalis

Chair: Lapidaki Eleni

12:00-12:30

Martin Link

¡¢Interdisciplinary Research as a Contemporary Model of Musicology¡¢

Ioanna Pavlidou

¡¢Music Creativity as an Embodied Experience: Contemporary Theoretical and Music Educational Approaches¢¢

12:30-13:00

Petra Zidarić Gyorek

¡¢Middle East and West - Transformational Process in a Selected Composition by Klaus Huber¢¢ 

Dimitris Tasoudis

¡¢Settling the Score(-s) for Richter¢s Rhythmus 21 (1921)¢¢

13:00-13:30

Hristina Susak

¡¢Bewildering Suggestions: Multiple Ways to analyse Edgar Varese¢s Ionisation¢¢

Panagio Karamouzi

¡¢Percussion Playing as an Interpretation of Human Behavior¢¢

 

13:30-14:00

Mihali Paleologou

A Look into the Importance of Extended Instrumental Techniques in the Contemporary Composition through Alternative Analysis of H. Lachenmann¢s String Quartet ¡Gran Torso¢

Jana Vaculikova

¡¢New Approaches to Music Theory and the Art of Teaching Musical Instrument¢¢

14:00-16:00

LUNCH BREAK

 

All A Sessions in

Conference Room - UoM

All B Sessions in Τele-conference Room - UoM

 

7A Session

19th c. Opera

Session 7B

Byzantine Music (II):

Theoretical, Practical, Pedagogical and Interdisciplinary Approaches

 

Chair: Evanthia Nika-Sampson

Chair: Alexandrou Maria

16:00-16:30

Demetra Hondrou

¡¢Giacomo Meyerbeer (1791-1864): Vasco de Gama: The Attempt of Rapprochement of the Opera L¢ Africaine¢¢

Symeon Kanakis

¡¢Theoretical and Practical Approaches to the Byzantine System of the Eight Modes (Oktoechos) according to the Old Method, as a tool in Contemporary Music Analysis and Teaching¢¢

16:30-17:00

Dimitra Banteka

¡¢Past Musics, Present Actions. A case in Istanbul: The Urban Song and the Operetta of Greek Composers, During the Time Period 1860-1900¢¢

Giangkitseri Maria

¡¢Pedagogical Views and Approaches of Medieval Church Music¢¢

 

17:00-17:30

Angeliki Skandali

¡¢The Ricci¢s Italian Opera Company in the Sources - A Collection of References"

Dimosthenis Spanoudakis

¡¢Byzantine Music on the Same Text, with Different Melodies in Eight Modes and Various Musical Textures: some Interdisciplinary Approaches¢¢

17:30-18:00

 

Giuseppe Sanfratello

¡¢Chants of the Byzantine Rite in the Sicilian-Albanian Tradition¢¢

18:00-18:30

 

Baia Zhuzhunadze

¡¢Georgian Chant Tradition in the Context of Cultural Interactions

(19th-20th centuries)¢¢

18:30-19:00

COFFEE BREAK

20:00-21:00

CONCERT: SYNERGIES

                             DINNER

 

11 February 2018

Sunday, 11 February

 

All A Sessions in

Conference Room - UoM

All B Sessions in Τele-conference Room - UoM

Session 8A

Ethnomusicology:

Interdisciplinary Approaches

Session 8B

20th c. Opera and Reception of 20th c. music

 

Chair: Kitsios Georgios

Chair: Danae Stefanou

11:00-11:30

Andreja Vrekalić

"On the Boundaries of my Science": Medical Ethnomusicology in Croatia

Predrag I. Kovačević

¡¢Commedia Dell¢ Arte in Action: Elements of Theatrical Genre in the Opera "Arlecchino" by Ferruccio Busoni¢¢

11:30-12:00

Sara Ries

¡¢The Second and the Third Book of Correspondence by the First Croatian Musicologist Franjo Ksaver Kuhač (1834-1911)¢¢

Anna Gluc

¡¢Negative and Grotesque as a Media of Totalitarian Criticism: Alfred Schnittke¢s Life with an Idiot and Historia von D. Johann Fausten¢¢

12:00-12:30

Panagiota Papageorgiou

¡¢World Musics Becoming Meaningful Experiences for Young Students¢¢

Rhodell T. Fields

"Why I Don¢t Like That Music? ": Brain functions that keep us chained to music we "know"

12:30-13:00

COFFEE BREAK

 

Session 9A

Music in Greece (III):

old and new trends

Session 9B

Computational Musicology, Music Analysis and Performance

 

Chair: Danae Stefanou

Chair: Cambouropoulos Emilios - Vasileios

13:00-13:30

Chryssie Scarlatos

¡¢Room for Music: Issues of Space and Venues in Thessaloniki¢¢

Andreas Katsiavalos

¡¢Computational Modeling of Musical Schemata: Informatics and Prototype Evaluations¢¢

13:30-14:00

Panayiotis Ladas

¡¢Greek Underground Music: Historical, Social and Artistic Factors Underlying the Greek Independent Musical Trends (2000-today)¢¢

Dimitris Kinopoulos, Solon Raptakis

¡¢Pianistic Interpretation in Classical Period Slow Movements: the Case of Beethoven¢s op. 7/ ii¢¢

14:00-14:30

Alexandra Karamoutsiou

"At the mercy of modernization...": Histories of DIY Music-making Scene in Thessaloniki, the Case of "NAYTIA" Band

Paulina Pieńkowska

¡¢#Chopinbezgranic [ChopinwithoutBorders] - in other words, How New Media Influence Reception of the Chopin Competition¢¢

14:30 - 15:00

EPILOGUE - FINAL DISCUSSIONS

15:00-16:30

LUNCH BREAK

16:30 - 17:30

CONCERT: ILIODROMIO